You Can Leave

[TMI Warning]

You’re allowed to leave. You’re allowed to walk away from things that hurt you.

Nobody ever tells you that, so I will.

~~~

Tonight should’ve been a great night. SHAPE, a campus organization that I’m involved with–it stands for Sexual Health and Assault Peer Educators–was holding an event in which a documentary filmmaker screened and discussed her documentary, which concerns college hookup culture. The event was mandatory for SHAPE members, but I would’ve come anyway because the subject interests me.

I should’ve known what I was getting into, but I didn’t really…

The documentary took a critical view of hookup culture and interviewed various students, as well as some professors and campus health professionals. It also interviewed a few frat guys, who were, of course, allowed to remain anonymous with their faces blacked out in the film.

The things the frat guys said stuck with me.

I can’t remember exact quotes, but it was the typical stuff–about “picking and choosing” girls, about how alcohol makes them less likely to protest, about how a girl who’s slept with at least three of the frat brothers is called a “toaster” because she’s “toast.”

Suddenly, I found myself feeling increasingly uncomfortable and anxious. It was hard to breathe. It made me think about the past.

~~~

“Come on. You know you want it. You let me touch your tits before.”

“No, I don’t. I’ve already told you. I’m interested in someone else and that’s the only person I want to sleep with right now.”

“You know, you’re lucky. Some guys would just…”

Would just what?”

He just smirks at me.

~~~

Nothing happened to me that night. Nothing physical, that is; he left me alone after spending three hours trying to manipulate me.

But emotionally, I was never the same again.

~~~

Another night, many months before that. My first college party. It was “registered” so there wasn’t even any alcohol.

I’m dancing with my friends. None of us have been drinking; we’re just happy to be at college and at a crowded, noisy dance party. He comes up to me and starts dancing with me. He’d clearly pregamed before coming to the house.

You’re such a good dancer. Are you a music major?”

“No, journalism.” I smile.

He nods and we keep dancing.

The song ends, and we dance for another one.

Then he leans in to kiss me. I pull back.

Sorry, I have a boyfriend at another school.”

You have a boyfriend? You should’ve had that written on your forehead!”

He storms off. I’d enjoyed just dancing…

~~~

Another time.

We used to be good friends, or at least so I thought.  We hung out all the time, talked about our lives and about school. We were attracted to each other, so one day we hooked up.

After that, things change. He only texts me at midnight, asking if I want to walk all the way to his frat and “chill.” He never asks me how I’m doing anymore. We stop talking after a while.

Months later, he messages me on Facebook.  “So, honest question. Did I start to annoy you after we hooked up?”

I say, “No, it’s not that. I just got the impression that you were more interested in me for just sex rather than actual conversation or friendship.”

“Alright, fair enough.”

“I mean, is that true?”

“To an extent, yeah.”

~~~

I should consider myself lucky. If the estimates of unreported sexual assault are accurate, the fact that I’ve never been raped puts me in the minority. But, like most women, I’ve been catcalled, groped, followed down the street, pressured for sex, offered unidentified drinks, called a bitch for not acquiescing.

That’s why I don’t go to parties. That’s why I don’t participate in hookup culture. And no, to any radical feminists reading this, it’s not because I think it’s a woman’s responsibility to prevent herself from being raped. It’s because hookup culture makes me want to throw up, cry, hurt myself.

I choose to walk away from it all. You can choose that, too, if that’s what you want to do. Don’t ever let anyone convince you otherwise.

~~~

So I didn’t stay at the film screening tonight. I probably should’ve, because it was mandatory and all. Because my committee was planning to meet afterwards and I don’t want to have to explain why I left. Because, on some level, it was interesting to me. Because I wanted to introduce myself to the filmmaker and ask her for advice about researching this topic.

But in the end, I didn’t stay. I walked away. Because I felt so uncomfortable, because I just wanted to go home so much.

So I stood up, swung my bookbag over my shoulder, and walked right out.

I walked home through the warm night and I felt so free. I wasn’t happy, by any means, but I felt like I’d made the right decision. I listened to my iPod and started to breathe easier.

~~~

I don’t mean to imply that it’s always possible–or even desirable–to just walk away from anything that makes you uncomfortable. Sometimes you need to examine what’s happening and confront your fears.

But I’ve examined this through and through. I can’t change the things that have happened to me, and there’s just no way to make myself believe that those things are okay and that anyone should ever have to go through them. And I don’t see the need to keep reminding myself of them.

Some people might read this and think, “Gee, that’s stupid. What’ll she do, avoid every painful thing in life?”

Obviously, no. Some people think that just because some pain is unavoidable, we should just accept every painful thing in our lives and let it in. Perhaps one can build up an immunity that way.

But I disagree. The fact that there are so many unavoidable painful things in life only proves to me that we should avoid the ones we can. After all, even a psychologically healthy person goes through so much–death of loved ones, illness, financial difficulty, heartbreak–and psychologically unhealthy people have it even worse. Shouldn’t we find a little corner of life that’s happy and fight to defend it?

I think so. That’s why I opted out of hookup culture, and that’s why I opted out of tonight’s film screening. I went home to my beautiful apartment. After I finish writing this, I’m going to make a cup of tea and read my psychology textbook and plan my research project and talk to my friends online and maybe call my mom.

Because, in the end, those are the things that make me want to keep living for as long as I possibly can.

How Depression Feels

I feel like there’s a disease in my head. I want to excise the brain parts that it lives in, the parts responsible for loneliness, worthlessness, apathy, cynicism, seriousness, sensitivity, and all the other ways in which I could be described.

I feel like a book lying open on the grass. The wind blows the pages around and one can’t help but read them. Nothing that’s written can ever be forgotten.

I feel like I’ve wound up my body’s pocket watch all wrong. It doesn’t go at the same pace as everyone else’s. Sometimes it ticks when it shouldn’t. Sometimes it doesn’t when it should. Where is that damn watchmaker?

I feel like a sinking ship. All of my most beautiful parts are underwater now, my framework waterlogged and rotting. Up on the tilting deck, an orchestra plays for anyone who dares to listen.

I feel like there’s a darkness following me wherever I go. Some call it a black dog, others call it a raincloud, others call it the noonday demon. Sometimes we sit on a bench next to each other, just gazing out into the world through our foggy, listless eyes. When it’s with me, I see in black and white.

I feel like a piece of driftwood on a beach. Why am I here, and not there? Is this sandy spot any better than that one?

I feel like there’s another spirit inside me and it’s more compassionate and optimistic and hopeful than I’ve ever been able to be.

I feel like there’s a flood slamming against the levee walls of my brain.

I feel like there’s a screeching phoenix beating in my heart, trying to burn a hole in the scarred tissue and escape.

I feel like I’m moments, or days, or years away from coming alive. It’ll happen, someday.

Dancing With Myself

[This is a piece I wrote in response to a prompt at Open Salon and just thought I’d repost it here.]

You aren’t really a daughter of Russian parents unless they make you do ballet.

Mine did, though I started later than most–when I was five years old. I continued until I was  fifteen. Over those ten years, I perfected splits, fouettes, and grand jetes, danced in several professional ballets, and starred as Clara in the Nutcracker. I was thin and graceful, and my parents never demurred when asked to produce photos and videos of their talented daughter.I often danced for friends and relatives who came to visit, or who we went to visit ourselves.

But ballet took a toll on me, and not necessarily in the ways you would expect. Since I was prepubescent for most of that time, I didn’t need to worry about staying skinny; it was easy for me as a child. Dancing en pointe hurt my feet and gave me terrible blisters, but it really wasn’t that that did me in.

No, what led me to quit was the atmosphere that characterizes the world of ballet. The other girls were awful, catty, nasty people. The ballet teachers pit us against each other ruthlessly, calling one of us a favorite one day and choosing another the next.

We were talked down to, humiliated, and shamed. I recall one day when we were taking a break to stretch in the middle of class, and I politely asked my teacher if I may be excused to use the restroom. She nodded but pursed her lips and whispered, “Never again.

If you came late to a class, as I often did because I lived far away and my parents, believe it or not, had other responsibilities in addition to driving me around, you were required to wait meekly by the door until the class completed its current exercise, wait until the teacher acknowledged you, apologize for your tardiness, and ask permission to join the class. You would walk to a spot at the barre with thirty pairs of eyes glaring at you.

As a shy and bookish girl, this destroyed me.

I remember how my teacher would insist to my parents that my hair must be in a bun that doesn’t fall apart–not exactly a small thing to ask from a mane of hair that reached past my derriere. Inevitably my bun would fall apart and I would be unable to fix it and I could feel those same thirty pairs of eyes narrowing, thirty mouths sneering and snickering at me.

I quit ballet, inevitably, when I was in high school. I joined the marching band instead. I delighted in wearing a uniform that hid my developing and no longer skinny body, in meeting people who didn’t judge me, in being able to simply run to my place in the warmup circle when I was late rather than performing the humiliating ritual required by my ballet teachers.

I’m not skinny anymore. Not at all. I’m not so flexible. I can only do three or four fouettes before I start losing my balance.

But I still carry myself well, chin up, back straight. I still love to dance, though I prefer to dance to the Black Eyed Peas instead of Tchaikovsky.

Sometimes I regret quitting ballet because I’d invested so much into it. But I’m thankful every day that ritualized humiliation and catty competition are no longer a part of my daily life. I’m grateful that I didn’t stay long enough to have a chance to succumb to some of the  more well-known pressures that a ballet dancer’s life brings.

The beat of the music still plays in my head, but now I dance to it in my own way.

I’m Not Sorry

[TMI Warning]

As a person with a mental condition that often drastically affects interpersonal relationships, I’m a total pro at apologizing. I do it practically every day. Here’s a sample of depression-related things I’ve apologized for lately:

  • crying
  • being too tired to meet up with a friend
  • being late
  • leaving early
  • getting upset when a friend acted insensitively
  • needing to talk to someone
  • saying something negative
  • needing to go be alone for a bit
  • writing something emotional
  • being unsure of whether a friend really cares about me or not
  • not understanding a joke
  • not being dressed well/not having makeup on
  • taking criticism too harshly
  • not wanting to be in a big group of people
  • not wanting to drink
  • being quiet
  • not having an appetite

Now, I realize I should be counting my blessings for the fact that I now have friends who understand me and my brain enough to be able to accept those apologies–in high school it was much worse. But at the same time, I’ve become acutely aware of how inauthentic I’m being when I apologize for the various ways in which my depression manifests itself. Sure, I’m sorry if the way I am makes life difficult for people or makes them uncomfortable. But apologizing implies that I could’ve avoided the situation had I been more attentive or considerate, just like when one apologizes for, say, forgetting a friend’s birthday or for spilling hot coffee on someone.

I can’t avoid being fatigued or upset or sensitive, though, any more than a diabetic can avoid needing insulin shots.

Of course, most people who don’t know me very well don’t even know that I’m depressed. Thankfully, I’m not required to wear a scarlet letter “D” on my shirt. But even if they do know, I feel compelled to apologize every time my behavior deviates from that of a healthy person, just to remind them that I’m well aware of the fact that the way I am can be an inconvenience for people.

The truth is, though, that insofar as “I’m sorry” means “I messed up,” “my bad,” “this is on me,” “I should’ve known better,” “I should’ve tried harder,” “I should’ve been a better person,” and the like–I’m not sorry. It’s not my fault. I couldn’t have stopped it. There’s nothing I could’ve done. I’m getting treatment and trying my best to recover, and that’s as much as I should be held responsible for. I’m not even to blame for not getting treatment sooner, because I was a kid and had no idea there was anything wrong with me. I’d been told “that’s just how you are” all my life.

I wish I could stop apologizing for having an illness. But until people understand it well enough to react to my apologies the way they’d react to an asthma sufferer who apologizes for getting out of breath, I can’t.

I’m still not sorry, though.

Mental Illness as a Spectator Sport

Step right up, ladies and gents, see the amazing inhuman hoarders here!

Our culture seems to have three ways of relating to people with mental illnesses–either they’re pathetic losers who need to “snap out of it”, or they’re crazies who need to be locked away (think schizophrenia in popular culture), or they’re here for our pleasure and entertainment. That last one is a relative newcomer, and that’s the one I want to write about here.

Just look at our celebrities–specifically, the ones with substance abuse problems. When it comes to them, it’s all fun and games till someone dies. While the late Amy Winehouse was still alive, blogs and magazines loved to publish photos of her visibly drunk, putting her up for public ridicule. Sure, everyone knew she could use some rehab–she sang about it herself–but there was never an ounce of compassion in how we, as a society, related to her.

And take Charlie Sheen, clearly a troubled individual. I don’t even remember how many days went by that articles making fun of him littered my Google Reader feed. With him, there isn’t even any ambiguity regarding the diagnosis, but he was still treated like a circus animal, and everyone sat back in their seats, made some popcorn, and watched.

Take TV shows like A&E’s Hoarders, Intervention, and Obsessed. These shows literally turn mental illness–and the treatment thereof–into entertainment. You can laugh as the poor OCD sufferer cries when forced to touch a gas pump nozzle with her bare hands, or gag as that creepy hoarder guy reveals his apartment full of old snack wrappers and rotting food.

I’m not saying that it’s wrong to inform people about the lives of those with mental disorders. What I’m saying is that this informing should be done in a compassionate, humanizing way, and reality TV isn’t always the best format for that. For instance, the show In Treatment, which describes a (fictional) therapist and his clients, is a far cry from the carnival sideshow-like feel of the reality shows. I’m not exactly a big fan of reality TV in general, but as a medium for educating the public about mental illness, it’s even worse than usual, because it creates an environment in which people view their fellow human beings as freaks to be gawked at, not as peers to be sympathized with. (A counselor quoted on Everyday Health calls it “exploitanment.”) This happens on virtually every reality show–think how much the people on Jersey Shore and American Idol get made fun of. The difference is that the people on Jersey Shore and American Idol (arguably) do not have a serious mental illness.

Ultimately, all media companies want to provide stuff that sells, and in the case of magazines that publish photos of drunken celebrities (with witty commentary, of course) and TV networks that produce shows putting people with mental disorders up for display, the money’s definitely talking–people love it. But the quality of mental healthcare in the U.S. will never improve while our culture continues to treat people with mental disorders as amusing distractions and not as people.